laborintus ii造句

• "Laborintus II " combines orchestral, choral and spoken elements throughout its three parts.
• "Laborintus II " was released on July 10, 2012, through Patton's record label Ipecac Recordings.
• ""'Laborintus II " "'is a 2012 album by Belgian orchestra Ictus Ensemble, vocal group Nederlands Kamerkoor and American vocalist Mike Patton.
• Max Feldman of PopMatters awarded " Laborintus II " a rating of seven out of ten, finding Berio's composition " challenging " and " exhausting ".
• The music incorporates elements of jazz and 20th-century improvised . " Laborintus II " makes use of both traditional percussion instruments and electronic sounds, and their interplay serves to " erect musical and textural architectures, then disassemble them quickly ".
• Berio described the main structure of " Laborintus II " as a " catalogue, in its medieval meaning " ( exemplified by the " Etymologies " of Isodore of Seville ), using Dante's themes of " memory, death and usury ".
• She collaborated with the ensembles Transeurop殚ennes with Pablo Cueco ( including the creation of a work by Pablo Cueco with Chaurasia at the Th閍tre de la Ville ), Le Banquet for the premiere of the opera by Bernard Cavanna, Ars Nova, for the reprise of Laborintus II by Luciano Berio as well as with 2e2m and Erwartung.
• In 1967 Salzman founded the New Image of Sound series at Hunter College where his theatrical composition " Verses and Cantos " ( a . k . a . " Foxes and Hedgehogs " ) was performed for the inaugural concert conducted by Dennis Russell Davies alongside the New York premiere of Berio's " Laborintus II ."
• Of the form, Berio wrote : " Individual words and sentences are sometimes to be regarded as autonomous entities, and sometimes to be perceived as part of the sound structure as a whole . " The instrumentation of " Laborintus II " was written as an " extension " of the vocal material; its electronic section is likewise an extension of the instrumental music.